Fragmenta No. 4, Series III
Mario Henrique
Fragmenta No. 4, Series III
W x H: 39.000000 x 39.000000 in / 99.06 x 99.06 cm
Canvas
This is a Unique work
$4,500.00
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Reference No:
GP-0001752-01
Dimensions:
W x H: 39.000000 x 39.000000 in / 99.06 x 99.06 cm
Art Keywords:
red, sensual, blue, square, woman, yellow, eyes, face, girl, head, impact, look
Dominant Color:
No information is available.
Dominant Color:
No information is available.
With Frame:
No
Country:
Portugal
Artwork Visibility:
Available for Sale
Height (in Inches):
39.000000
Width (in Inches):
39.000000
Year:
No information is available.
Depth (in Inches):
2.75
Color On The Side:
No information is available.
Orientation:
Square
Medium:
Mixed media
Material And Technique:
Canvas
Rarity:
Unique
Signature Location:
Bottom Right
Ships In:
Wooden crate
Art Condition:
Excellent
Condition Details:
No information is available.
Frame Outset Color:
#ffffff
"What sticks to memory, often, are those odd little fragments that have no beginning and no end." - Tim O’Brien
I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
=======
Made with acrylic and oil on canvas. Stretched and ready to hang. Ships in a wooden box, with a signed Authenticity Certificate.
I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
=======
Made with acrylic and oil on canvas. Stretched and ready to hang. Ships in a wooden box, with a signed Authenticity Certificate.
Artist Test
Kukatpally, hyderabad